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Conference
at a Glance
2012
Conference Registration IS
CLOSED
This page is left in place for your information
See you next year!
Registration
cut-off date is March 3, 2012
or until hotel's maximum capacity has been filled,
whichever is reached first
See
conference and pre-conference schedule BELOW.
Get a 2012 room map HERE <== New
Version
For
Updates about The Write Stuff Click
Here for our Conference Blog
When:
Pre-Conference Workshops: Thursday
and Friday, March 15-16
Conference: Friday
evening and Saturday, March 16-17
Where:
The
Four Points Sheraton, Allentown, PA
Cost:
Early Bird Registration up to February 15th:
Pre-Conference James Scott Bell Package: $130
Pre-Conference Gayle Roper Workshop: $30
Conference: Members and Students:
$100; Non-members: $120;
Conference with
membership renewal $130
Conference with new membership $140
After February
15th:
Members, Non-members and Students $135
Conference
with membership renewal $165
Conference with new membership $175
Registration
cut-off date is March 3, 2012 or until hotel's maximum capacity has
been filled, whichever is reached first.
No walk-in registrations will be available
for the 2012 conference.
Includes: Friday
night sessions and Welcome Reception; Saturday: Continental breakfast,
lunch, all presentations and materials
Directions
to the Conference
Staying overnight?
Reservations: 610-266-1000. If
you call before February 20th, mention
you are attending The Write Stuff to receive a discounted room
rate of $85. Other nearby lodging.
How
to register
(Before
registering
please
read and understand. Conference
Registration Policies.)
REGISTRATION IS CLOSED
Members will receive registration forms by mail. Download
separate conference and pre-conference registration forms by clicking
on "Join Us" on the left
menu. You may pay by Paypal,
or by mailing the forms with checks in the appropriate amounts to:
Write Stuff 2012 Registration
P.O. Box 454
Pipersville, PA 18947
Tip: Some conference events—including the
Friday night Page Cuts sessions, the Saturday “Cool Tools”
and “Fiction Characters Anonymous” sessions, and individual
appointment with agents and editors—have limited enrollment.
Register early to reserve a place
Conference
& Pre-Conference Schedule
Where to find Your Session:
Room Map and Schedule <==
NEW VERSION OF ROOM MAP
in Word Format.
NOTE:
CHANGES BELOW AT 1:40 and 2:40 SESSIONS
| THURSDAY
MARCH 15 - Pre-Conference |
8:30
a.m. to
5:00 p.m.
Optional workshop and is NOT included
in the Write Stuff conference price |
1
1/2-Day Pre-conference Workshop*
with
James Scott Bell
8:30 a.m.–5 p.m. Thursday 8 a.m.-12:30 Friday
Thursday:
“Novel
and Screen Writing Intensive”
What does it take to sell your novel
or screenplay? Find out in this 1-1/2 day power-packed workshop as
bestselling author James Scott Bell
shares the secrets he has learned in his highly successful writing
career.
From this workshop you will: >Learn
the single most important secret to selling your work to Hollywood
or big publishers (or to long lasting self-publishing success); >Discover
the one plot element most writers miss (dooming their chances of
selling); >Find
out how a misunderstanding of “character arc” might actually be
hurting your story (and learn what you can do about it); >See
why “inciting incident” can be confusing (and learn the more
powerful concept that replaces it); >Discover
a process for mining irresistible stories out of your writer's mind;
>Understand
why and how dialogue is the fastest way to improve your story
instantly; >Know
the one crucial element to apply to every scene of your book or
script to keep your story from dragging; >Gain
insight on how to bond a reader with a character so that they have
to finish your novel or screenplay; >Learn
what a “plot point” really is, and more important, what you need
to do to make your plot points work; >See
how to craft the perfect finishing touch: a knock-out ending.
This workshop uses analysis of film
clips, hands-on exercises, and other techniques that enable you to
improve your work-in-progress right in the seminar. Jim will teach
you what works, why it works, and how to make it work for you.
(Includes box lunch both days)
*This
workshop is NOT included in the Write Stuff conference price. A
separate $130 fee is required for this workshop. If you are
registering for the conference, you must also fill out a separate
Pre-conference Workshop Registration Form and enclose a separate
check made out to GLVWG, or register via Paypal. See conference registration
page for details.
GLVWG reserves the right to cancel
advance registration workshops that do not fill. In the event of
cancellation, your check will be returned.
|
7:30–9:30
p.m. |
The
Writer’s Café, Conference
Edition Moderator: Bart Palamaro (Salon
C)
The Writer's Cafe, Conference
Edition. Topic: You're in Charge, Now What?
Moderator: Bart Palamaro (Salon C)
Typically an informal gathering held
the second Wednesday of the month at PBS Ch. 39 in Bethlehem, all
conference attendees are invited to this special conference edition
of the Writer's Cafe to network, ask questions, and share tips. In
the first hour we'll be surveying the Indie (self) publishing field
with a special emphasis on e-books, markets, and the new options you
have to publish your books. Pitch and critique session during
hour 2. |
| FRIDAY
MARCH 16 - Pre Conference continued |
8:30
a.m. to
12:30 noon
Continuation of optional workshop and is
NOT included in the Write Stuff conference price
|
Continuation
of Pre-Conference Workshop with
James Scott Bell
8:30 a.m.–5 p.m. Thursday 8 a.m.-12:30 Friday
Friday:
“Novel and Screen Writing Intensive”
Continuation of special 1 1/2 day Pre-Conference workshop.*
Continuation
of Novel and Screen Writing Intensive 1 ½ day pre-conference workshop
with James
Scott Bell
8:30 a.m. - 5:00 p.m. Thursday and 8:30 – 12:30 Friday
(Includes
box lunch) |
1:30
p.m. to
4:30 p.m.
Optional workshop and is NOT included in the Write Stuff conference
price |
Afternoon
Pre-Conference Workshop with Gayle
Roper**
“Ten Crucial Questions to Ask Yourself About Your Novel”
You’ve
figured out your basic plot. You’ve developed your characters. You’re
writing away, watching as your original concept morphs and develops a
life of its own. You’re still in control but barely. Time to ask
some critical questions. For example, are your characters consistent
or do they waffle, changing as you get a new idea? What is your lead’s
inner struggle and how does it play off the outward struggle? Are you
letting your characters off too easily? How can you add depth or
layers to your material? We’ll look at these questions and others
that will help us each write our version of the Great American Novel.
**This
workshop is NOT included in the Write Stuff conference price. A
separate $30 fee is required for this workshop. If you are registering
for the conference, you must also fill out a separate
Pre-conference Workshop Registration Form and enclose a separate
check made out to GLVWG, or register via Paypal. See conference registration
page for details. |
| 6:00
p.m. |
Registration
for the Conference Begins.
Pick up your registration materials at the table outside Salon A. |
6:30
to
8:30 p.m. |
Page Cuts NOTE:
Page cuts is now filled, you will be on a waiting list.
Advance registration necessary;
sessions fill quickly. Page Cuts critique sessions are optional and
included in the conference price. Participants will be assigned to a
room headed by a team of publishing professionals who have been
asked to provide off-the-cuff feedback. Your work will be read aloud
by a room moderator and commented upon by our panelists. No
names will be used. Opinions of workshop panelists are theirs alone
and do not represent the opinions of GLVWG.
Limited to 36 readings. Participants who have
been informed of their successful enrollment should bring to their
session four copies of the first page of a longer work (fiction,
creative nonfiction, or memoir) along with four copies of a 100-word
overview of the entire work. Copies must be formatted.
Double-spaced, 12 pt. “Times” font, 1-inch margins, Title &
Genre at top of page. No names please. Print to start at the top of
the page.
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7:00
to
8:00 p.m. |
"Claim
your Victory in Today's Publishing Revolution"
(Open Seating)
Nervous about the new changes in
publishing? Get excited instead. Join Marie
Lamba, Associate Literary
Agent and author, as she shows how you can chart your own publishing
revolution victory. Find out some of the newest trends in both
traditional and independent publishing and why she believes this all
points toward a new "Age of the Writer." Discover how you
can leverage these changes to make your own writing career soar.
Fresh opportunities abound. Gain insights and get excited about your
next steps as a writer.
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8:30
to
10:00 p.m. |
Welcome Reception (Open
Seating)
Join us for hors d’oeuvres, cash
bar, and the chance to network with agents, editors, presenters, and
other conferees. Dress is business casual.
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| SATURDAY,
MARCH 17 |
7:30 to
8:30 a.m. |
Registration (Outside Salon C) and
Continental Breakfast (Ballroom) |
8:30 to
8:40 a.m. |
Welcome and Announcements |
8:50 to
9:40 a.m. |
Concurrent Workshops (Open
Seating unless otherwise indicated)
Creating and Maintaining Tension
in Your Fiction – Gayle Roper
Tension in your writing is one of the
main ingredients in keeping a story moving and a reader turning
pages. We will talk about some techniques for creating and
maintaining the kind of tension, both in emotion and action, that
has your readers on the edge of their seats. We’ll also talk about
mis-emphasis in writing as a tension killer. Handouts and examples
provided.
The Business of Writing – Ways
to Make Money as a Freelance Writer
– Hana Haatainen Caye
Running a freelance writing business can be more profitable than you
may think. In this workshop we’ll cover the various types of
business and creative writing opportunities that exist for writers
who see beyond their fiction and poetry and want to find a way to
make a living, or simply earn some extra cash, through the written
word. Examples will include press releases, advertising copy,
magazine articles, on hold message scripts, sales letters, webpage
writing, search engine optimized writing, newsletters, and more.
Agents Panel, Moderator: Kathryn
Craft
Literary agents Katie Shea (Donald
Maass Literary Agency), Lauren Ruth
(Bookends LLC), Rachel Stout (Dystel
& Goderich Literary Management), Carrie
Pestritto (Prospect Agency), and Maria
Lamba (Jennifer DeChiara Literary Agency) will share insights,
guidelines, and ideas for writers. These agents, along with editor Laurie
Edwards (Leap Books) will meet with participants to hear
pre-scheduled pitches throughout the day.
Cool Tools: Tools of the Trade
– Mindy Starns Clark
Due to its hands-on nature, this class is limited to 15 people.
Pre-registration is required.
THIS CLASS IS FILLED, NO MORE REGISTRATIONS
WILL BE ACCEPTED.
Have you ever seen an Alphasmart? Tried voice dictation
software? Considered a treadmill desk? This interactive session
gives you access to all sorts of cool tools that every writer will
love.
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9:50 to
10:40 a.m. |
Concurrent Workshops (Open
Seating unless otherwise indicated)
Power Revision—How to Get Your
Novel in Top Shape – James Scott
Bell
Taking that manuscript of yours from raw genius to sales
potential--and beyond. How to cool off before you begin. What to do
on the first read through. How to tackle the big issues in the right
way. A systematic, rather than chaotic approach is the way to go.
This workshop will show you how it's done.
Making Sense of Social Media
Join author Kristin Bair O’Keeffe
for a breakdown of what aspiring and established writers need to
know about social media and why it’s more important than ever to
engage in the global conversation. Great tips for coming up with a
social media strategy that works for you and for tracking the
results of your heartfelt labor. Visit Kristin’s web site at www.writerhead.com
and follow her on Twitter for writerly tips. (@kbairokeeffe)
Flash Fiction – Randall
Brown
Flash is for the fearless. No wishy-washiness here. This talk
focuses on the essentials of writing flash fiction: ideas, narrative
structures, voice, image patterns, twisted expectations, and the
like. Hear that POP! That's the sizzle of your prose, your veins
like wires. That's the world where every word matters, the world of
infinite yearning, where everything and everyone―writers,
texts, characters, readers―lose their quiet everyday world and
enter a state of intense arousal and desire. Oh Baby. Micro. Sudden.
Flash. Fiction. Awww!
How to Break into the Young Adult
Market: A Q&A Session – Joyce
McDonald
This informal discussion is aimed at answering questions about
writing for the YA market and how to go about getting your book
published.
Concurrent agent
and editor appointments
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| 10:40 to
11:00 a.m. |
Break |
11:00 to
11:50 a.m. |
Concurrent Workshops (Open
Seating unless otherwise indicated)
Writing for Young Adults:
Reconnecting to the Teenager in You – Joyce
McDonald
This workshop will explore what distinguishes a YA novel from one
written for adults. The focus will be on the elements of young adult
literature: choosing the right setting, crafting an engaging plot,
developing complex characters and writing convincing dialogue.
From Research to Results!:
Immersion, Aha! Moments, and Best Narratives – Katherine
Ramsland
Some writers love it, and some try to get by without it, but solid
research is crucial for your tale. Whether you're writing fiction or
nonfiction, you need to absorb appropriate facts into your finished
product. A fun benefit from research immersion is the unexpected
illuminated moment where things snap into place. This presentation
describes how to research, how to provoke productive "aha!
moments," and how to use your research for powerful effect.
Author Panel: What is the
Inspirational Market and Why Should I Care? Moderator: Jack
Althouse
Could you write a passionate romance without explicit sex? Or an
edgy book that takes place in the underbelly of the city, and yet
has characters trying to do what is right? What about a sweet
romance, or even an Amish Novel? How about a funny story about
friendship, or marriage? Or a hard hitting book about getting
through grief, disillusionment, and betrayal with the help of faith
and friends? Any of these books, if framed right, would be perfect
for the often misunderstood Christian Market. Join authors James
Scott Bell, Gayle Roper, and Mindy
Starns Clark as they discuss this growing market and where you
might fit into it.
Fictional Characters Anonymous
– Hana Haatainen Caye
This class is limited to 15 people. Pre-registration is required.
THIS
CLASS IS FILLED, NO MORE REGISTRATIONS WILL BE ACCEPTED.
“Hi. My name is Doris, and I’m a fictional character.” During
this workshop, all participants will introduce themselves as one of
their characters and remain in character throughout the session.
Consider this a support group meeting for characters to work out
some of their issues. The results of the meeting are often
surprising, as you discover character nuances, vulnerability and
trigger points. In order to write enticing fiction, you have to know
your characters intimately. FCA can help you do just that! All
participants will be expected to take part in the discussions.
Concurrent
agent and editor
appointments
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12:00 to
1:30 p.m. |
Lunch,
Keynote: "Storytellers
Save the World: How Fiction Keeps us From Going Nuts"
-- James Scott Bell |
1:40 to
2:30 p.m. |
Concurrent Workshops (Open
Seating)
Making Mr. Right – Mindy
Starns Clark
Romance can be an important element in many genres--from literary to
thrillers and everything in between. Get the romance in your story
right, regardless of genre, by learning this technique for creating
the most compelling love interest for your hero or heroine.
Submitting Your Short Fiction and
Creative Nonfiction – Randall
Brown
As someone who has read perhaps 15,000 (very) short fiction and/or
creative nonfiction submissions, I've learned some things about the
submission process. This talk focuses on ensuring that you're giving
your work the best chance to get published in both online and print
markets, using both snail-mail and electronic submission methods.
THIS SESSION
HAS BEEN MOVED FROM 2:40
Building to Your Story's Emotional Peak – Gayle
Roper
Pulling your readers into your characters’ emotions—joy,
sorrow, hurt, pleasure—is critical to them believing your fictive
world. We’ll look at the nine steps that go into building to the
emotional high point of your novel or story or screenplay. We’ll
discuss examples of these steps and look at film clips that show
these steps at work.
Forensics Chat
An informal Q&A session with Forensic Psychologist and author Katherine
Ramsland.
Concurrent
agent and editor
appointments
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2:40 to
3:30 p.m. |
Concurrent Workshops (Open
Seating)
Inspiring Others – The Chicken
Soup Way – Hana Haatainen Caye
Did you ever wonder how to get an inspiring true story into print in
one of the series of anthologies, such as Chicken Soup for the
Soul? There is a formula. In this workshop, learn how to take a
great story and transform it into a dynamic tale ready for
publication. No matter how good your story is, it won’t go very
far without 5 crucial elements. Submission guidelines for CSS will
be covered, as well as current story callouts. Gather your stories
and discover the secret to sharing them with the world!
THIS SESSION
HAS BEEN MOVED FROM 1:30
Keep Them Turning Pages: Suspense Secrets of the Masters – James
Scott Bell
Suspense is the key to a hit book in ANY genre. If readers aren't
kept guessing, the book becomes predictable and the result is a less
than satisfactory reading experience. In this workshop you'll learn
the best suspense secrets of the pros, techniques you can use
immediately in your own work. From characterization to scenes with
increasing tension; from twisty plots to cliffhangers and "time
delays," you'll come away with an increased ability to hold
readers glued to the page.
The Geography of a Novel
Join author Kristin Bair O’Keeffe
for a discussion about how to create a powerful sense of place in a
novel. Examine the way place moves plot, and explore the interaction
between the physical and emotional geographies of a story. (Bring
pen & paper…we’ll be writing!) Visit Kristin’s web site at
www.writerhead.com
and follow her on Twitter for writerly tips.) (@kbairokeeffe
Concurrent agent
and editor appointments
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3:30 to
5:00 p.m. |
Social
> Refreshments
> Book Fair**
> Contest Winners
> Door Prizes
> Conference closes
**All published GLVWG
members are eligible to participate in the book fair. Please contact
book fair coordinator Jon
Gibbs to reserve a space by March 1, 2012
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